Prelude :
Btw how many of you know or were aware about the actual facts of Rani Laxmibai ? Frankly speaking, I knew nothing about her except the fact that once upon time there was Queen of Jhansi who was brave and fought fearlessly carrying her child on her back. Full stop.
The legend of Jhansi’s Rani Laxmibai is immortalised in Subhadra Kumari Chauhan’s poem Khoob Ladi Mardani Woh Toh Jhansiwali Rani Thi and Vrindvan Lal Verma’s novel of the same name ( I have read none)
Finally based on K V Vijayendra Prasad, the father of the talented Director SS Rajamouli (writer of Baahubali, Bajrangi Bhaijaan) a feature film on one of the leading figures of the Indian Rebellion of 1857 has been made and released but..Rani Laxmibai deserved a better tribute….let me explain to you why ?
Sadly, the 2 and a half hour-minute film fails to give The Queen of Jhansi’s character more shades and ends up becoming few pages from a history book.
Synopsis :
Introduced by Mr Amitabh Bachchan’s baritone voce talks about Manikarnika, who is born in a Marathi Brahmin family in Varanasi in 1828 and talking about her key traits as she aims her tame a fierce tiger.
Dixitji played by Kulbhushan Kharbanda spots her in all the qualities required of the maharani of his princely state around which the men of East India Company are planning to seize it.
Manikarnika gets married to Gangadhar Rao played by our very own Jisshu Sengupta, the Maharaj of Jhansi, is more inclined towards arts and wears choodiyan (bangles) as a mark of his shameful weakness for failing to confront the Brits.
His cousin, Sadashi played by the super talented Mohammed Zeeshan Ayyub has joined hands with angrez in-order to dethrone Gangadhar Rao.
Post intermission, General Hugh Rose played by Richard Keep is specially summoned to fight her and capture Jhansi. But fortunately get very terrified and taken aback by Laxmibai’s strength and bravery.
Rest of the story talks about how Laxmi Bai fights the British fearlessly.
Technical :
The writing could have been better as it lacked depth and fluidity.
Significant characters from history are mercilessy sidelined into mere side characters example like Danny Denzongpa’s Ghulam Ghaus Khan and Atul Kulkarni’s Tantiya Tope to focus unabashedly on Kangana Ranaut,
Debutant Ankita Lokhande’s Jhalkaribai gets the least screen time and space in comparison to all.
Manikarnika suffers from lazy writing, sloppy dialogues, tacky visual effects and cliched caricaturing of the English ( Bollywood seriously needs to redefine their British villains)
Directed by Ranaut and Radha Krishna Jagarlamudi, Manikarnika tries its best to achieve the simplistic effort to salute the legendary queen, but feels too long and lacks freshness. Though there are several sword fight, battle scenes in Manikarnika that are choreographed beautifully.
The USP of the film is Kangana and only Kangana, the actor shines all through the entire film. She proves that she is a ‘One man Army; and needs no big banners or Male super stars to support her.
Overall, Manikarnika devoted very little in any other character except that of Rani Laxmi Bai, they are used as props — to establish the superiority of Rani Laxmi Bai. It sounds impressive that Kangana Ranaut has directed Manikarnika, along with Radha Krishna Jagarlamudi.. a good start as a first effort.
Verdict :
If you’re a Kangana Ranaut fan, Manikarnika is the film for you…or wait for the digital viewing.